(USC)
(Unpredictable systems and collapse)
Software art sound applications performative experiments
real time composition and performance
Hugo Paquete
2012
This album experiment start as a call from the director of the of Institute of viral sonology Hugo Paquete. This call consists in exploring the potentiality of the computer as an automatic machine to generate compositional material and aesthetics content base on stochastic probabilities.
Mamabaer-Kommissar Hjuler
Nathalie Boeur
Luis Marques
Sharon Stewart
Pedro Montesinos
Pharmakustik
Connecting and collecting different sound material from different collaborators and without a previous selection construct a social and artistic possibility to generate aesthetic content base in the power of computer algorithmic to compose in a randomatic aesthetic.
This album experiment start as a call from the director of the of Institute of viral sonology Hugo Paquete. This call consists in exploring the potentiality of the computer as an automatic machine to generate compositional material and aesthetics content base on stochastic probabilities.
Artists:
Virginia Moreira
Gabi Von Dub
Catucamos: Daniel Saraiva, Joacelio Batista, Juliana Rebelo
Monkey Brain
Vítor Rua
Luis Leal
Connecting and collecting different sound material from differentncollaborators and without a previous selection construct a social and artistic possibility to generate aesthetic content base in the power of computer algorithmic to compose in a randomatic aesthetic.
Thanks to all the collaborators
Institute of viral sonology
www.instituteofviralsonology.tk
That is an under cover, under governmental, under political, under aesthetic agency for sonic proliferation and psychological affections and sonic terror base in the web exploring collaborative artistic processes and meaning construction. To counter hacking the super performative system of the cybernetics society. Generating aesthetic content and paradox.
This work star as a collaborative art experiment relating compositional material and performative musical and visual experiments base in the Institute of viral sonology
This material makes part of a documentation from the video performance / Concert developed in New York by representatives from the Institute of Viral sonology.
Thanks to all the collaborators
Jack Shamblin / J. Carlos Díaz / Paul Ferrara
Connecting and collecting different sound and video material from different collaborators
and without a previous selection construct a social and artistic possibility to
generate aesthetic content base in the power of computer algorithmic to compose in a randomatic aesthetic.
Collaborators:
Jack Shamblin / J. Carlos Díaz / Paul Ferrara
Video and audio edition
Hugo Paquete
New York / Portugal
2012
This experiments have the objective of hacking the Portuguese national radio station signal with experiments developed with the target of making new approaches in therms of the noise uses to generate a counter information and cognitive amplification that can project a more effective counter point with the media, communicative environments. When logics theories projected in the concepts of a global net society express the supra organizational society of information and informatics. Don't giving space for errors.
This project start as a question to taking errors, noises and glitch base sound to generate content, aesthetic or not. That can be understand as a bug in the system with the main target of generating reflexive, and content with the listener that in a abstract, way interact with this sources of counter communicative elements.
In the society of the mass order as functionality...
The noise elements put the listener in contact with a level of nonsenses anti communicability that is the main trigger as a cognitive experience to make a rupture with the logics of understanding, and in this way opening a more ontological understanding of reality as a source outside of mining.
In media society or in supra organizational societies in the globalweb the noise is the element to eliminate, a elements that is to be out of the system pragmatics. As it is in the communicational theories.
The noise in this project is taken as a fundamental element to manipulate in side of the system the opening to a more subjective or ontological exploration of the meaning of the system programmatic.
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